Once you've exhausted these initial sound sculpting tools, you can go under the hood of your cells and overall kit configuration via a series of tabs at the bottom. ![]() NATIVE INSTRUMENTS BATTERY 4 SERIAL CRACK SERIES The Effects tab opens up more per-cell sonic treatments with Saturation, Lo-Fi, Filter/EQ and Transient Designing modules, as well as a complete set of controls for the Compressor module mentioned earlier. ![]() Further to the right, the Master tab allows access to sub-grouping Busses, the Reverb and Delay master modules, as well as Global Filter/EQ, Compressor, Limiter, Transient Designer and Saturation modules. ![]() The Modulation tab offers multiple opportunities to 'interrupt' signal flow with twin LFOs and a dedicated Modulation envelope, and drop down menus let you assign these to the parameters of your choice. Brilliantly, the waveform display toggles from LFO or Envelope shapes and the waveform of the sound you're processing as you hover over parameters, which is neat and hugely effective. Oodles of optionsĮven though this version has been a long time coming, it's been worth the wait. Design wise, we're happy to leave the old version's looks firmly in the past. Workflow has been so significantly improved that once you have familiarized yourself with what's new, beat building becomes more fun than ever. The new kits sound great and with the integration options - Battery 4 will accept samples from a wide range of file types - there's no need to stick with NI's own libraries of content because you can so easily expand these with your own. Once you have configured sounds into cells, the giant strides NI have taken in terms of effects processing in recent years make their presence felt here too. ![]()
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